![]() ![]() Transmission and Driveline Subsystem/Launch Devices (Part 2) 1:30 p.m. Lunch Sponsored by Lubrizol Corporation 12:30 p.m. Transmission and Driveline Subsystem/Launch Devices (Part 1) 11:00 a.m. Coffee Break Sponsored by TREMEC 10:30 a.m. Panel Discussion, Transmission and Driveline Trends 9:00 a.m. Continental Breakfast Sponsored by ZF Registration 8:00 a.m. Suite 1600 Troy, MI USA Phone: Fax: Emergency Hotline TIME tuesday, october 27 wednesday, october 28 7:30 a.m. Updates will also be provided via the SAE website at SAE EMERGENCY HOTLINE SAE 2015 Transmission & Driveline Technologies Symposium 1Ĥ Event Overview SAE International SAE Warrendale Office 400 Commonwealth Drive Warrendale, PA USA Phone: Fax: Customer Service (toll free U.S. In the event of an emergency or a major disruption to the schedule of events at the SAE 2015 Transmission & Driveline Technologies Symposium, attendees and exhibitors may call this number to receive further information about the resumption of this event. This includes listening for instructions provided through the public address system and following posted evacuation routes if required. Should a catastrophic event occur, attendees should follow the safety and security instructions issued by the facility at the time of the event. Based on the location of the incident, report emergencies to the nearest venue representative and/or security personnel if available, or report to the SAE staff located in the Grand Ballroom Foyer. 3 What s Inside 2 Event Overview 3 Symposium Organizers 7 General Information 8 Opening Ceremony and Keynote 9 Floor Plan 10 Technical Program 14 Executive Panel, Speaker Biographies, and Abstracts 40 Exhibit Floor Plan and Profiles 42 Ad Index 44 Sponsors Emergency Procedures During the SAE SAE 2015 Transmission & Driveline Technologies Symposium During the SAE 2015 Transmission & Driveline Technologies Symposium attendees are to follow the established emergency guidelines of the facility where the emergency occurs. ![]()
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![]() ![]() instead of having 5 seconds for each part of the box breathing, I might want to change them all to 6 seconds. This is still not perfect, but hopefully a step forward until the API supports mindful minutes as a workout.Ī good basic breathing app. I just released a new version (6.0) that enables background processing so that even if the screen goes to sleep, the exercise will continue in the background. Starting a workout does allow for the watch to stay on indefinitely, but unfortunately, “mindful minutes” is not classified as a workout. Thanks for leaving a review! You are correct about the WatchOS app and the limitations of the API. It might be a lot of work to do though, so I can understand the developer wanting to keep it simple.Īnyways the phone app is excellent, but I deleted the Watch app as it isn't worth the hassle. I'm sure the developer is aware of this, and it's probably a limitation of the Apple Watch development API, but I've seen other apps get around this by putting the device into a workout mode and reading out the intervals (interval timer does this). You can sorta get around this by changing the tap to make behaviour from 15 seconds to 70 and not moving your wrist, but after 70 seconds it'll turn off. If you move your wrist and the screen turns off, the app stops working until you turn the screen back on. My only complaint is that the Apple Watch app is kinda useless. Other apps require a subscription to access breathing methods, but this app just lets you take the recommended ones online and input it into the app. No subscriptions, only a well priced one time IAP that costs less than a cup of coffee. Need a timer for guided breathing? Look no further. ![]() Straight to the point without subscription nonsenseĭoes exactly what it says. Please leave a review or contact us through the app if you have any questions or suggestions. *** Featured as Healthline's best meditation app for breathing in 2022 *** + Lock screen widget for quick access to iBreathe + iCloud sync to persist settings across all of your Apple devices + Works great on all iOS devices and MacOS with Apple silicon chips + Learn about the benefits of deep breathing and view recommended literature by authors like James Nestor and Wim Hof + Apple Health integration to record your mindful minutes & heart rate + Create reminders to remind you to breathe throughout the day + Create your own breathing exercises (inhale, exhale, hold, cycles) + Pre-defined exercises specifically designed to help with stress and anxiety (4-7-8 and box breathing) Unlike other apps, iBreathe is designed with simplicity in mind and does not contain any bloat or clutter. Whether you are struggling with stress, anxiety, insomnia, or are trying to meditate and relax, iBreathe provides an easy-to-use beautifully designed user interface. IBreathe is a simple yet powerful app to guide you through deep breathing exercises and breathwork. ![]() ![]()
![]() Sterling Hyltin began her dance training at the age of six at the Dallas Metropolitan Ballet. She was appointed to the faculty in 1998. Her repertory included several principal roles in works by George Balanchine, Jerome Robbins, and Peter Martins. In 1997, she joined the School of American Ballet as a guest teacher upon retirement from New York City Ballet. ![]() Killian became a member of the New York City Ballet in 1981 and was promoted to Soloist in 1989. SAB students will demonstrate some of the ballet’s most iconic sections to bring Killian’s and Hyltin’s discussion points to life.įollowing early ballet study in Pennsylvania with Marcia Dale Weary, Katrina Killian began her SAB training with the 1977 Summer Course and was subsequently enrolled in SAB’s Winter Term from 1979 to 1981. Recently retired New York City Ballet principal dancer Sterling Hyltin will join her in conversation, having performed the ballet several times over her career. The ballet, featuring brisk footwork and a wistfully romantic pas de deux, held a significant role in Katrina Killian’s career at New York City Ballet. Scotch Symphony is Balanchine’s homage to the grandeur and freshness of the Scottish highlands, set to Mendelssohn’s early romantic symphony inspired by the composer’s 1829 visit to Scotland. Register for this session nowīalanchine’s Scotch Symphony Scotch Symphony at SAB’s 2017 Workshop Performances Photo by Paul Kolnikįeaturing live demonstrations by students of the School of American Ballet He is currently Co-Director of Dance at The Metropolitan Opera. Trusnovec was Associate Rehearsal Director, was featured in the 2004 PBS Great Performances: Acts of Ardor and the 2013 Paul Taylor in Paris, and served as Director of Worldwide Licensing and as a repetiteur of Mr. For over two decades, Michael was a Principal Dancer with the Paul Taylor Dance Company, creating over 25 roles with, and appearing in more than 70 dances choreographed by Mr. Hailed by the New York Times as “one of the world’s most luminous dancers,” Michael Trusnovec grew up dancing on Long Island and earned a BFA in Dance Performance from Southern Methodist University. ![]() In 2005 she was invited to judge and teach for the burgeoning Youth America Grand Prix in both the regional and final Competitions, and has been with the organization ever since. Saland has been a freelance instructor traveling to teach in NY, San Francisco, Los Angeles, Kansas City, Buenos Aires, Copenhagen, Madrid, Mallorca, Mexico and Canada. Since finishing her performance career, Ms. Before moving to Seattle in the fall of 1993, she taught movement for student actors at Playwrights’ Horizons and helped develop a body-awareness class for actors with theater teacher Caymichael Patten. In a 21year career with City Ballet, she was showcased in leading roles under Balanchine’s direction, as well as principal roles in Jerome Robbins’ repertoire. Three years later she was invited by George Balanchine to join the New York City Ballet for the remarkable Stravinsky Festival. Stephanie Saland was born in Brooklyn and entered The School of American Ballet just before her 15th birthday. Balanchine then choreographed the second section for New York City Ballet, with an additional solo for Paul Taylor, who was then a member of the Graham company and later developed his own technique and choreographic identity. Since 1961, NYCB has performed its section alone, without the solo created for Taylor. ![]() Balanchine invited modern dance titan Martha Graham to choreograph the first section for her company. With Stephanie Saland and Michael TrusnovecĮpisodes was created in homage to Anton von Webern’s complete orchestral works. ![]() In 2017, he led New York City Ballet’s four-person interim artistic leadership team and was named Artistic Director of both New York City Ballet and the School of American Ballet in February 2019.īalanchine’s Episodes Episodes at New York City Ballet, Photo by Paul Kolnik Stafford served as Ballet Master for New York City Ballet. Stafford joined SAB’s permanent faculty in 2007 and was named the School’s first Professional Placement Manager in 2015. After retiring from dancing in 2014, Mr. He joined New York City Ballet in 1999, was promoted to soloist in 2006 and principal dancer in 2007. After attending two summer courses at SAB, he enrolled full time in 1997. Jonathan Stafford began his ballet training at Central Pennsylvania Youth Ballet. To complement the sparkling score, he created a work of prodigious ingenuity featuring a regal cast of dancers. Jonathan Stafford and Debra Austin danced this ballet at different points in its history, and now they continue to shape its performances through their roles as Artistic Director of New York City Ballet and Ballet Master for Carolina Ballet. 15 at SAB’s 2013 Workshop Performances Photo by Paul Kolnikīalanchine considered Mozart’s Divertimento No. ![]() ![]() ![]() Additional 1915-1969 salaries researched via Baseball Hall of Fame contract archives by Dr. Primary salary data ( about) courtesy Doug Pappas, and the Society for American Baseball Research. Career to date (may be incomplete) 9,678,250. ![]() (7) tries to steal second base against the Chicago White Sox during the first inning at Guaranteed Rate Field. Signed thru 2023, Earliest Free Agent: 2024. Some have said it is perfectly designed for. Chicago, Illinois, USA Kansas City Royals shortstop Bobby Witt Jr. Find many great new & used options and get the best deals for Neifi Perez Kansas City Royals Shortstop Autograph Signed Major League Baseball at the best. Tags 40-Man Roster 2018 2019 2020 2021 2022 2023 Adalberto Mondesi AL Central Andrew Benintendi Bobby Witt Jr Brad Keller Brady Singer Bubba Starling Bullpen Cactus League Cal Eldred Carlos Hernandez Carlos Santana Catcher Chicago White Sox Cleveland Indians Coronavirus Daniel Lynch Danny Duffy Dayton Moore Detroit Tigers Edward Olivares Fangraphs Free Agency Greg Holland Hot Stove Hunter Dozier Jackson Kowar JJ Picollo John Sherman Jorge Soler Josh Staumont Kansas City Kansas City Royals Kansas City Royals History Kauffman Stadium Kris Bubic Kyle Isbel Matt Quatraro Michael Massey Michael Taylor Mike Matheny Minnesota Twins Minor Leagues MJ Melendez MLB New York Yankees Nick Pratto Nicky Lopez Northwest Arkansas Naturals Oakland Athletics Omaha Storm Chasers Opening Day Outfield Pitchers Prospects Ryan O'Hearn Sabermetrics Salvador Perez Scott Barlow Spring Training St. The Shortstop Mug holds 9oz of your favorite beverage - hot or cold. 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![]() ![]() This, too, is more affordable than the Charge 5, despite offering Wi-Fi connectivity and voice assistant smarts. The only thing the Charge 5 can do that the Megaboom 3 can’t is charge another device.ĭon't forget about the Sonos Roam either. And the Megaboom 3 is a better all-around speaker, too, in terms of both sound and features. It doesn’t have many frills, aside from being able to charge another portable device, but it delivers impressive vocals and bass, and it can withstand the elements.Īt $179, its list price is lower than that of the Megaboom 3 - but UE’s speaker has been out for much longer, and often sells at a much lower price despite the MSRP. The JBL Charge 5 is a very good Bluetooth speaker. UE’s Boom & Megaboom app, by comparison, offers a five-band equalizer with several presets, as well as other features like an alarm and the ability to set a one-touch playlist. The sound you hear out of the box is the sound you get. There aren’t any preset sound modes or an equalizer. The app doesn’t let you make any kind of sound adjustments. I was able to get PartyBoost to work with the Charge 5 and a Flip 5, but strangely, not a Charge 4. The app is also how you manage PartyBoost, to connect to another JBL speaker in stereo mode or party mode. You can download the JBL Portable app to upgrade the Charge 5’s firmware and see its battery level. It had a good signal up to about 50 feet indoors, with walls between my phone and the speaker. The Charge 5 paired quickly with my phone. At a more reasonable 85 dB, the distortion disappeared and it was still loud enough to be heard over the din of a party or traffic. The Charge 5 put out about 94 dB at max volume - impressively loud, but the audio distorted pretty badly at that level. The difference between the two speakers was easier to hear when listening to Fleetwood Mac’s “Never Going Back Again ” while Lindsey Buckingham’s vocals were clearer on the Charge 5, the fingerpicked guitars were much fuller on the Megaboom 3. However, both songs sounded much fuller and richer on the Megaboom 3, although the vocals weren’t as far forward in the mix. The menacing bass and thumping drums were prominent on The Weeknd’s “Blinding Lights” but didn’t overwhelm his singing. On Black Pumas’s “Fire,” the horns came across bright and punchy, while the vocals were clear above the guitar and keyboards. It sounds more balanced than the Charge 4, but it isn’t as full or wide as our current Bluetooth speaker top pick: the UE Megaboom 3. The Charge 5 delivers very good sound for a speaker its size, with easy-to-hear vocals and impressive bass. The light fades as the power decreases - a slick-looking way to see the battery life left, though it’s not as easy to get an accurate read as the five lights on the Charge 4. But the Charge 5 ditches the 3.5 mm auxiliary connection that other generations included.īelow the large JBL logo is a single light that shows the amount of battery power left. At least JBL has kept the Charge’s namesake feature in each generation. On the back there’s a USB-C port for recharging the battery, and under a rubber flap, a USB-A port that you can use to charge other devices. ![]() ![]() The PartyBoost button pairs two JBL speakers together in stereo mode or multiple speakers in party mode to spread the sound more widely. ![]() The play button can also pause a track, or with a double click, advance to the next song. On the top, you’ll find buttons for power, Bluetooth and volume up/down. Having six colors to choose from is nice, though this is actually a step back from the Charge 4, which was available in 12 colors. That gives the speaker a bit more visual flair, but also causes it to lean like the Tower of Pisa if you want to stand it on one end instead of laying it flat.Īs with the last few versions, the Charge 5 is wrapped in mesh - the same as you'd get on the JBL Go 3 - and has rubber end caps. The end caps, which house the passive bass radiators, are cut at a slight angle, similar to the JBL Flip 5. At 8.7 x 3.8 x 3.7 inches, it’s slightly shorter and a little plumper in the middle than the Charge 4. JBL also tweaked the shape and dimensions. ![]() ![]() An engine running at X load and Y ambient conditions is going to produce a given amount of heat. Physics and thermodynamics being what they are, I can’t see an Evans engine running cooler than a water based coolant - assuming no boil over for the water based system. There are a lot of factors that could come into play to explain why one bike might run hotter or cooler than another, but if you want to reduce it to the effect of just the coolant choice then I suspect that the only time Evans could be said to run cooler than say, Maxima coolant or Engine Ice, would be in a boil over situation with the water based stuff. I was wondering about the difference with NPG+. )ĭon't bother taking exception to any of the above. Not that you have to (read above) but if you have NO water in the system, then you don't have to wonder if what you DO have is 5% or more, 'eh?īTW.for those of you with diesel bikes.the amount of aqueous coolant you can retain drops to 3% capacity by volume. Hooking up a shop vac may well work fine, but the prep product will absolutely remove every drop. Note: Motorcycle coolant systems are notorious for being hard to drain (completely). Most engine systems (pre npg) run in the 12-15psi range. The pressure an NPG cooled system generates is much less than an aqueous system because of the elimination of vaporization. The NPG product expands 'similarly' to aqueous coolants. Drain your engine, refill with the 'prep' product. Still, the more removed is better.and they make a hygroscopic 'prep' product that will do this. So, it is not necessary to remove 100% or every drip. They want the water left in the system to be less than 5% of the total volume. I just got off the phone with tech support at evans. I thought that 'cuz such has been posted before. I thought it expanded much less when heated. Re:'- the Evans coolant expands much more than does water when heated.' Once it's installed, you'll never overheat again ! ! ! IMO, the expansion tank located right behind the rad blocks a large amount of air flow - so I relocated mine behind the headlight. ![]() There's also a good reason to keep the expansion tank on there - the Evans coolant expands much more than does water when heated and at $35 a gal you don't want to waste any. ![]() When hot, I drained it then hooked up the shop vac to the rad inlet and sucked air through the system for about 1/2 hr. I flushed my cooling system twice, then ran it up to temp with just plain water. You did the best thing -took it all apart, but there could still be some fluid remaining in the water pum,p. So, to effectively install the Evans coolant you must remove ALL of the water from your system. Add just a trace of water and your boiling point comes back down to the 235 range. Mix it with antifreeze and the boiling point of the mix goes up just a little -maybe to 235 or 245F. Water -distilled or other boils at a little over 200deg. ![]() ![]() ![]() In terms of web development, for example, Creative Cloud includes nearly anything that someone would need to build fully functional websites from the ground up, regardless of whether they had the ability to code. What Creative Cloud DoesĪdobe Creative Cloud is a tool for enabling both creativity and collaboration. The Creative Cloud also includes applications for print design, and newspapers such as the New York Times use InDesign from the Creative Cloud for this purpose, while virtually every major magazine publisher and new website uses Photoshop. Other films like "Deadpool" and David Fincher's "Gone Girl" also used the software for this purpose. James Cameron's film "Avatar," the highest grossing movie of all time, performed daily and basic edits with Premiere Pro. Adobe Premiere Pro, for example, is a non-linear video editing tool that has been used to edit a wide range of different features films and television shows in a professional capacity since it originally debuted in 2003. Adobe Creative Cloud applications are widely used by professionals in their field. What Creative Cloud is Used ForĬreative Cloud can be used for nearly any task in the areas of graphic design, video editing, web development or photography. Many Creative Cloud applications are available individually, or as part of a comprehensive suite. The programs included in Creative Cloud can be used in a wide array of graphic and design applications, from creating flyers to brochures to full motion videos, websites, presentations, photography retouching and more. A small number of Creative Cloud applications are also available on iOS and Android devices. Graphic Design for High School StudentsĪdobe Creative Cloud, sometimes called Adobe CC, is a set of software application for Mac OS and Windows computers which are used by creative, design, and marketing professionals to create content for print, video, and online distribution. ![]() ![]()
![]() ![]() Help you to understand site privacy policies.Block malware & tracking (Desktop and mobile).This is evidenced by a review of things the free software can not do: However, I think this will just give you a false sense of security while browsing without the extra protection that their premium plan offers. It will also allow you to search without the analytics tracking your results. Having these features will probably make your browser run faster because certain adware and other trackers will be blocked. The ability to block sites (for desktop only with browser extension). ![]() Free Softwareĭisconnect offers the search and browse part of their software for free or “pay what you want”. Payments are handled through Stripe and PayPal. You can get a single month for $5 or a year for $50. This paid plan comes in two terms which include one month and one year. They offer a single paid plan of their premium service. Now let us review the Disconnect pricing structure for their service. The suite is designed to provide consumers privacy, security, and more control over how their personal information is shared with ISPs and other companies while browsing the internet. ![]() Pricing and Special Offersįirst of all, what is Disconnect? Disconnect is a privacy and security software suite that is available for iOS, Android, Mac, and Windows which has been integrated into a VPN service. Integrated into and central to this overall internet privacy prototype is a VPN service. Put simply, Disconnect believes you should be able to control all information that is being collected about you, as well as, who has access to it while anonymously browsing the internet. It was formed to tackle the societal problem of personal internet privacy, security, and information transparency. Specifically, they think of themselves as a for-profit company as well as a consumer advocacy organization. This is a new corporate form whereby for-profit entities want to consider society and the environment in addition to profit. Founded in 2011, Disconnect is a benefit corporation (colloquially, B corporation). I will start my review by looking at Disconnect the company. This means you have no control over what goes into these profiles, nor who has access to them. These get bought and sold, hijacked, modified and updated without any transparency on your part. What is more, thousands of companies use these invisible trackers to collect bits of your personal information and browsing habits to piece together profiles of you. Just browsing the Internet today makes you susceptible to invisible tracking software, malware, identity theft, and data breaches that put your sensitive private information at risk. ![]() |